About the Prints
Dye-based IRIS Inkjet Prints
My first digital prints (in 2004) were dye-based IRIS inkjet prints. There are newer processes, though I believe none finer, than the archival IRIS technology. When the process is guided by a sensitive printmaker, IRIS prints have a remarkable richness. Their unusual depth is because of the sophisticated way the inks are laid on the paper.
The dye-based IRIS Inkjet prints in these portfolios are made on Hahnemuehle rag paper or on mulberry paper (rice paper), both especially designed for fine art printing.
Pigment-based Inkjet Prints
The pigment-based inks are made up of very small particles which insure a longer print life and greater color stability. The trade-off (at least so far) is that prints made from pigmented inks are not quite as rich and deep as those from dye-based inks. So I use both because they each have their own strengths.
The pigment-based inkjet prints in these portfolios are made on Inkpress rag paper or on silk and silk organza, both especially designed for fine art printing.
Infochrome Prints
The Ilfochrome prints in my archives are now the only ones available because this traditional photographic material is becoming scarce and prohibitively expensive. So, with some regret, I have let this process go. Although the process was demanding, the high gloss brilliance and remarkable luminescence of Ilfochrome prints made it worth the effort. In addition, these prints are archivally superior to any other traditional color print material.
Care
As with any artwork, proper care is required to assure longevity. Care is similar to that for watercolor paintings.
When unframed the surface of an inkjet or Ilfochrome print is susceptible to damage from liquids, scratching, or rough handling, so it is essential to handle all prints carefully and only by the edges.
As with any other fine artwork, avoid exposing framed or unframed prints to extreme temperature changes in a short span of time (for example, leaving in a hot car), prolonged exposure to excessive humidity (over 65%), and direct sunlight. Any of these conditions can cause damage.
The use of ultraviolet (UV) protection glass or UV Plexiglas is recommended when framing. Both are readily available from professional framers.